DIGITAL ARTEFACT

Here we have it!! My Digital Artefact: An ethnographic exploration intp the world of aesthetics

Script:

INTRODUCTIONAlex Intro bit: Ethnography is defined as the study of a particular group of people, wherein their customs, habits, and everyday life are researched through various methods of observation and fieldwork. Similarly, autoethnography is when one analyses their own personal experiences to gain a better understanding of different cultures (Adams et al, 2015).

Kira Intro bit:  The term ‘aesthetic’ can refer to various things, and in this circumstance, it refers to the appearance of some form of content. The aesthetic of something assists in establishing a style, tone, mood or in the case of social media, it helps illustrate personality. From a theoretical standpoint, aesthetics is closely aligned with the philosophy of art, which  explores the nature of art and how individual representations are evaluated or interpreted by others (Scruton & Munro, 2019).

Exploring aesthetics was a media niche Christine, Alex and I were quite interested in and so we have ethnographically explored the Almond Milk aesthetic. This aesthetic generally comprises photos with shades of whites, creams and light browns, giving it its coffee like appeal. Observations of this aesthetics are primarily shown on platforms such as Instagram or Pinterest. Due to the colour scheme of this particular aesthetic, images typically consist of sandy beaches, historical architecture, coffee cups and linen. The almond milk aesthetic creates a positive and calming connection and is the main reason we chose it as our media niche,

Chrissy Intro bit:  As there are three of us working together, we split the research into three main questions. We each investigated one question pulling our research to form the basis for our digital artefact. I will be focusing on question number one. My main focus is to reflexively answer why all three of us are drawn to the Almond Milk aesthetic. Alex will be researching question number two. Her main focus will be to understand why there is such a big following on this particular aesthetic. Lastly, Kira, will be focusing on question number three. She will research what the audience would like to see when it comes to subject matter of the image. These three questions, when answered, will give us a better understanding of our media niche.

“Because of technological advances, which have made it possible to create, access, and disseminate visual images far more easily and cheaply than ever before” (Al Zou’bi et al) 

The almond milk aesthetic is present across a wide range of social media platforms but has the strongest presence on Instagram. As ethnographers must immerse themselves within the culture, we decided to make our own Instagram account called @almondmlk.co. We uploaded photos that adhered to our aesthetic which allowed us to gain a deeper understanding of our media niche by observing the experience of people that interact with our page, as well our own experiences. By doing this we gained a deeper insight into our respective focus questions by looking through an interpretivist lens. Throughout our research we were able to further develop our Field Site Maps as pictured in the following slides. 

KiraResearch bit: My focus area for our digital artefact was investigating what our audience wanted to see in terms of the image subject matter. This embodied what was being photographed and what edits, for example, colour and composition, were most appealing. To answer this research question I had to adopt an interpretive lens as the world of aesthetics is a subjective topic. How you or I perceive an image will not be the same as how others like your friends or family will. Within a few weeks of posting on our Instagram account, it became apparent patterns existed with the types of images our viewers were most drawn to.  From this, we understood travel-based images and coffee images were highly popular as we observed them receive greater likes. 

After gaining a closer look into our audience, we posted several polls on our account to observe why certain images were appealing and how they made the audience feel. Images with warm tones created a positive and emotional connection with our audience.  Coffee images may be our most appealing image to viewers as it conveys a social activity; and for myself, coffee is something that brings me happiness. Our viewership was of a similar demographic, sharing similar characteristics such as gender and age, therefore, this shows why they may hold similar views. From this data, we can confidently say the Almond Milk aesthetic features images of a welcoming and relaxing nature.

AlexResearch bit: To answer my research question, I had to observe the presence of the almond milk aesthetic on Instagram, as well as conduct secondary research into the field of aesthetics in general. I found that all of the images have a similar colour scheme, featuring brown and beige tones, which are soft colours that are not too loud. I also noticed that the images being posted to social media had a pattern in terms of the contents. The top 13 reoccurring photos include images of coffee, fashion, books, interior design, architecture, make up, art, pets, perfume bottles, accessories, beaches, fabrics, and food. Something these posts had in common was the simplicity, and the air of relaxation, which is something that is consistent within the almond milk aesthetic. This aesthetic is different to the usually chaotic nature of Instagram. But why do people enjoy this?

Secondary research highlighted that aestheticization assumes existential projection. In other words, aesthetics turn an image into something that is existentially significant to the viewer in a way that allows them to experience the opportunities of life in the most appealing way (Orlov, 2020). This coincides with the paradigm of interpretivism, that emphasises seeing the world through the eyes of the people being studied by taking into account the audiences’ ideas, ways of thinking, and what they consider important (Chowdhury, 2014). This relates to the concept of ethnography (Pham, 2018). The almond milk aesthetic features images that portray a sense of relaxation, and comfort, and the brown tones add to this feeling. And so, my proposed answer to why the audience likes this aesthetic, is because of the significance to the viewer. The images each symbolise a simple and soothing lifestyle, which is why it is so popular, and why the photos categorised under this aesthetic are so pleasing to look at.

Chrissy – Research bit: Slide one: In order to answer the question, “Why does the aesthetic appeal to each of us” I had to reflexively answer this as well as uncover Alex and Kira’s reasoning. Images that we all agreed on and found appealing were then posted on our Instagram page to then see how the audience would then respond. There was a recurring theme within the images that appealed to each of us most, which can be broken down into three key parts: Subject matter, visual composition and emotion.  

Subject matter pictured in the images that pleased us most included coffee, architecture, literature, fashion and lifestyle. The visual composition of the most appealing images had a similar colour palette where brown was most predominant. The image itself was simple and the lighting throughout the images depicted a sunny day. Our most liked images stirred up an emotion within us. The commonly felt emotions when looking at the image included its ability to make us feel calm and relaxed, warm, peaceful and a sense of joy. The images also had the ability to make us feel nostalgic as they reminded us each of an old memory.

Sources highlighted that an aesthetic experience encompasses an affective process of aesthetic judgement and emotion experienced with an image (Dorothee et al, 2012). This coincides with the reflexive paradigm as it allows for a personal evaluation of aesthetic images as they have varying terms of perceived pleasantries, enabling different emotional responses amongst each individual (Kätsyri et al, 2012) relating to the concept of auto-ethnography (Thomas, 2014). The almond milk aesthetic has provoked a positive emotional response between Alex, Kira and myself. 

Through my observations, I noticed that images of travel induced emotions of longing for a relaxing getaway, whilst images of various fabrics stimulated a calming and warm feeling. Images as such are very prominent within this aesthetic, and all have a similar tone. These images made us feel both relaxed and peaceful, and these emotions are prompted even more when the photos are collated together to form a cohesive feed. And so, the answer to the question of why this aesthetic appeals to us, is because of the calming emotions evoked within each of us.

CONCLUSION – To conclude, through both ethnographic, and auto-ethnographic research, we were able to provide some answers to the questions we sought out. The almond milk aesthetic provided us with insight into the world of Instagram aesthetics and its audience, which we will remain a part of.

DA PITCH

The wait is over… here is my digital artefact pitch!!

Over the past four weeks we have described our media niche, mapped out a field site, problematised issues involved with the niche and finally laid down plans for our research process, including ethical standards, methods of observation, auto-ethnography, and a detailed schedule for the completion of the project. Altogether, these four blog posts have allowed for the ideation of Christine, Alex and I’s digital artefact project, which we will ethnographically explore. To allow for greater awareness into this aesthetic, we have created an Instagram account, @almondmlk.co whereby we will be sourcing and posting images that resonate with this media niche. Although this aesthetic is present on various platforms like Pinterest or Tumblr, we decided on Instagram as we believe we will gain a wider audience and hence, more interactions. 

In addition to applying an observation research approach, I will be analysing and observing this niche/community through the concept of interpretivism. I believe this concept is most applicable as the world of Instagram and how we view images is entirely up to our interpretations. I will be focusing my ethnographic research on ‘what do audiences want to see and what is being posted’. To achieve this, I will be observing and taking notes on what the most popular categories/images are e.g. lifestyle, fashion etc. Understanding what this community is posting and why will allow me to source and create a similar tone and mood for our Instagram page. 

I am very keen to start our ethnographic research and see where our Instagram page may take us!!

References:

Caulfield, J., (2020). An Introduction To Ethnography | What Is It And How Is It Used?. Scribbr. Available at: <https://www.scribbr.com/methodology/ethnography/&gt; [Accessed 1 September 2020]. 

Dam, R. and Siang, T., (2020). What Is Ideation – And How To Prepare For Ideation Sessions. The Interaction Design Foundation. Available at: <https://www.interaction-design.org/literature/article/what-is-ideation-and-how-to-prepare-for-ideation-sessions&gt; [Accessed 2 September 2020].

Dudovskiy, J., 2020. Interpretivism (Interpretivist) Research Philosophy – Research-Methodology. Research-Methodology. Available at: <https://research-methodology.net/research-philosophy/interpretivism/&gt; [Accessed 2 September 2020].

RESEARCH & ETHICS

Welcome to the fourth and finale blog post! We are only four weeks in, and already so much has changed and our digital artefact ‘Almondmlk&co’ has progressed quite a bit. I thought I would start this post with a bit of contextual knowledge. As stated in last weeks post, aesthetics is a branch of philosophy which deals with the nature of taste and beauty. Aesthetics often assists in establishing a tone, mood or style, as well as exploring subjective or sensory-emotional values (Zangwill, 2019). If an Instagram account has an aesthetic, it generally means the feed follows the same theme and tones throughout, creating an aesthetically pleasing and appealing look. 

From a theoretical standpoint of research, a paradigm is considered a way of viewing the world. In ethnography, this is even more pronounced as the methodology is subjective. A paradigm is a set of ideas which influences how we analyse and interpret data. There are numerous paradigmatic frameworks one may adopt in a research project to assist in analysing research findings. For my digital artefact, I will be adopting the framework of interpretivism as I believe it is best suited to my niche. Interpretivism is commonly linked to topics with grey areas, for instance, society. Gaining insight into how or why someone acts or feels can not be determined through statistics or numerical data. Instead, it is uncovered through words, behaviours and actions. An interpretive researcher focuses on the meanings that people bring to experiences and their behaviours, and the ways they employ this to interpret the world. Myer (2008) states “interpretive researchers assume that access to reality is only through social constructions such as language, consciousness, shared meanings and instruments” (p1). 

In every research project, there are several considerations researchers must be aware of to ensure they conduct appropriate practices. A vital aspect of this is ethics. Ethics is a moral philosophy or discipline concerned with what is morally good against what is morally bad or wrong. Upholding ethical principles in research practices is crucial for various reasons. Firstly, ethical conduct promotes the aims of research e.g. truth, knowledge and avoidance of error. Secondly, since research involves collaboration and cooperation with other people, ethical standards promote the values vital to collaborative work e.g. accountability, trust and anonymity. (Resnik, 2015). Principles such as integrity, validity and confidentiality are all significant components when conducting research. 

Appropriate credibility and the fair use of other’s photos is our primary ethical consideration for our project. We are aiming to source our own pictures for our Instagram page. However, considering the current pandemic, it may be difficult to take new ones that illustrate the almond milk aesthetic. In response, we will be crediting every photo we post as well as crediting the source in the caption. In addition to this, our Instagram feed will maintain a clean and appropriate appeal to reduce any potential harm or unrest amongst viewers.

All participants who engage in our digital artefact will be aware of our objectives and observations as we ethnographically research our niche. To uphold ethical principles, all participants will remain anonymous and any information they provide us will remain confidential. If at any point they wish to be removed from our study we will be more than happy to do so. Ensuring all participants feel comfortable throughout the research process is one of our primary focuses. By implementing these ethical standards I believe we will conduct a well-rounded, ethical project. 

References:

Moore, C., (2020). BCM241: Ethnographic Research Methods And Methodologies. UOW [Accessed 20 August 2020]. 

Myers, M.D. (2008) “Qualitative Research in Business & Management” SAGE Publications

Resnik, D., (2015). What Is Ethics In Research & Why Is It Important?. National Institute of Environmental Health Sciences, pp.1-2. Available at: <http://nook.cs.ucdavis.edu/~koehl/Teaching/ECS188/Reprints/Ethics_Research_NIH.pdf&gt; [Accessed 13 August 2020].

Zangwill, N., (2019) “Aesthetic Judgment”, The Stanford Encyclopaedia of Philosophy (Spring 2019 Edition), Edward N. Zalta (ed.), <https://plato.stanford.edu/archives/spr2019/entries/aesthetic-judgment/&gt;.

NARROWING THE FIELD

In the previous week, I wrote about my interest in lifestyle content, which I will be exploring ethnographically for my digital artefact. Lifestyle content presents various avenues and opportunities, and in contemporary society, it is ever-increasing. Due to its broad nature, I have decided to refine my topic and focus my ethnographic research on one channel, in particular, Sarah’s Day. By doing this, I will be able to focus on one perspective and one voice of lifestyle content. I have been a loyal subscriber to Sarah’s Day for quite a few years now and have chosen her as my focus as she is excelling as a content creator on a global scale. As stated by Burrell (2009), a field site denotes to the ‘spatial characteristics of a field-based research project’, the phase where social process under focus occur (p.182). This site is built in terms of how a phenomenon, in this case, lifestyle content, is viewed and acted on by participants (Burrell, 2009). Moreover, the field site is defined by places embedded in speech and text, social imaginings and physical movements. Another element of field research is whether the topic under focus involves observation or participant observation. In this case, I will be employing participant observation as I am part of the target audience.

“Ethnographic research allows us to regard and represent the actors as creators as well as executants of their own meanings. The very way in which they tell us about what they do tells the researcher a great deal about what is meaningful for an in the research. It adds richness and texture to the experience of conducting research”

Hannabuss, 2000, p.99

Sarah’s Day began her YouTube career around seven years ago and has now gained 1.46 million subscribers on YouTube. Her YouTube channel is full of day in the life vlogs, healthy recipes, home workouts, clothing hauls and so much more. One thing I love about this channel is how raw her videos are. Today, many YouTubers glamorise their life and often neglect to show the nitty-gritty aspects of life. Moreover, I love her overall aesthetic and style. Influencers these days all have their unique look and feel on social media. Creating a visually appealing aesthetic is an important part of reaching wider audiences as they are drawn in by the look of an account. Sarah’s Day also manages various side jobs and projects including a health-based podcast, whilst posting regularly on Instagram and YouTube. I have included a mind map below illustrating the network and connections associated with just one lifestyle content creator. In recent years, a growing amount of literature has examined celebrity studies with digital media theory, exploring the role of the “micro-celebrity” (Lawson, 2020).  Marwick (2015) defines a micro-celebrity as “a self-presentation technique in which people view themselves as a public persona to be consumed by others, use strategic intimacy to appeal to followers, and regard their audience as fans” (p.333).

Edit 29/8 – below i have inserted the field site for the almond milk aesthetic, with our primary focus on the #creamaesthetic hashtag

Personally, I love engaging with Sarah’s Day’s content as I find her life and views inspiring and motivating. Her content is tailored to my interests and I always come out feeling happy and having learned something after watching her YouTube videos. Through her weekly engagements, she creates a close community who feels as though they are a part of her life and visa versa. Sarah’s Day further reinforces this by referring to her audience as ‘Sezzy’s Squad’. I have included one of Sarah’s videos below as it conveys a true and raw depiction of her life.

Gaining a more in-depth awareness of lifestyle content will be beneficial for those in the creative industries, particularly those with an online following. For instance, individuals may learn the importance of regular engagement across platforms to connect with their audience. In addition to this, my findings may also be advantageous to those wanting to start up their own YouTube channel or Instagram account as they can gain inspiration as well as compare and contrast what various lifestyle content creators are publishing. 

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References:

Burrell, J., (2009). The Field Site as a Network: A Strategy for Locating Ethnographic Research. Field Methods, 21(2), pp.181-196. Available at: <https://journals-sagepub-com.ezproxy.uow.edu.au/doi/pdf/10.1177/1525822X08329699&gt; [Accessed 9 August 2020].

Hannabuss, S. (2000), “Being there: ethnographic research and autobiography”, Library Management, Vol. 21 No. 2, pp. 99-107. https://doi.org/10.1108/01435120010309425

Lawson, C. E. (2020) ‘Skin deep: Callout strategies, influencers, and racism in the online beauty community’, New Media & Society. 

Marwick AE (2015) You may know me from YouTube. In: Marshall DP and Redmond S (eds) A Companion to Celebrity. Chichester: Wiley, p. 333.

MY MEDIA NICHE

In today’s day and age, we all consume media in some way or another. For the majority of us, it is something we engage with daily whether that be for entertainment purposes, as a source of information or to keep in contact with friends, family and the world. When first hearing the term ‘media niche’ I was struck with confusion as I was not sure what my primary interest was. However, after scrolling through Instagram, YouTube and Spotify it became quite clear there was a pattern in what I watch, view and listen to. The content, which sparks most joy for me is all things lifestyle! Lifestyle content is such a diverse media niche that ranges from health, fitness, beauty, sustainable living and fashion… the list goes on!!

BCM241 (Media Ethnography) will allow me to obtain a deeper understanding of media niches as I ethnographically research this topic for my digital artefact. Ethnography is often considered a qualitative research method whereby individuals immerse themselves in a community or group, gaining insight into their social dynamics and shared culture. Taking a look at the lifestyle channels and pages I follow, it is clear the viewership would primarily consist of females aged 16-25. An important feature of ethnography is the concept of ‘social media influencer marketing’ (Glucksman, 2017). This explores how influencer marketing on social media opens up a new method for brands to build relationships with audiences directly. Social media influencers promote brands through their everyday lives, depicting them as relatable to the viewer (Glucksman, 2017). 

My interest in lifestyle content began a few years ago and it is now something I engage with on a weekly basis. There are so many great influencers out there, sharing life hacks, healthy recipes, motivational tips and so much more! These types of videos resonate with me as I share a lot of similar interests and passions as the influencers. This is particularly true with UK content creator Zanna Van Dijk as we both share a passion for fitness, living consciously whether that be using sustainable products or being more environmentally aware. Many lifestyle content creators have a large presence, which exists separately to Youtube including platforms like Instagram or Facebook. These two global platforms allow for greater audiences to become engaged in a community that shares similar interests and ideas. Some of my favourite influencers including Sarah’s Day and Georgie Stevenson who also run their personal podcasts on Spotify where they explore all things fitness, relationships, manifestation and motivational hacks.

As stated by Erikson (2018:87) “Qualitative inquiry seeks to discover and to describe narratively what particular people do in their everyday lives and what actions mean to them”. This quote links up directly when looking towards lifestyle content online, in particular on YouTube. One thing that intrigues me with lifestyle content creators is the whole idea of how they run their various platforms and are continuously creating innovative projects. I am quite positive that my chosen media niche will resonate and interest others in the BCM241 cohort as lifestyle content tailors to a range of aspects in everyday life. Advancing my knowledge on lifestyle content and popular influencers will allow for a deeper understanding of such communities and the social dynamics present. 

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References:

Caulfield, J., 2020. An Introduction To Ethnography | What Is It And How Is It Used?. Scribbr. Available at: <https://www.scribbr.com/methodology/ethnography/&gt; [Accessed 7 August 2020].

Glucksman, M., 2017. The rise of social media influencer marketing on lifestyle branding: A case study of Lucie Fink. Elon Journal of Undergraduate Research in Communications, pp.77-87. [Accessed 7 August 2020].

“10 Reasons Why Influencer Marketing is the Next Big Thing.”Adweek. N.p., 14 July 2015. Web. 28 Mar. 2017. [Accessed 8 August 2020].

Image references:

Day, S., (2020). Day In The Life. [image] Available at: <https://www.youtube.com/watch?v=Yh1vdPK_81U&gt; [Accessed 6 August 2020].

Day, S., (2020). The Health Code [image]. Available at: https://open.spotify.com/show/1dlfl4rDkWMQTGPOfRdcLQ

Day, S., (2020). Vlog [image]. Available at: https://www.youtube.com/watch?v=3UpDvcX84l8

Mescia Twins, T., 2020. We DIY’d Our Clothes. [image] Available at: <https://www.youtube.com/watch?v=TCW46G0jSKg&gt; [Accessed 6 August 2020].

Stevenson, G., 2020. Follow Along Low Impact HIIT Workout. [image] Available at: <https://www.google.com/url?sa=i&url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DIumdQCR6idU&psig=AOvVaw3tp4YyA6mhO64_RzvmTvpj&ust=1597210284873000&source=images&cd=vfe&ved=0CAIQjRxqFwoTCNjomYC2kusCFQAAAAAdAAAAABAD&gt; [Accessed 6 August 2020].

Stevenson, G., 2020. Rise and Conquer [image] Available at <https://www.georgiestevenson.net/pages/about-rise-conquer&gt; [Accessed 6 August 2020].

Van Dijk, Z., 2020. [image] Available at: <https://www.zannavandijk.co.uk/about/&gt; [Accessed 6 August 2020].